Author: upstart

by John Millington Synge

On the west coast of County Mayo^[1] Christy Mahon stumbles into Flaherty’s tavern. There he claims that he is on the run because he killed his own father by driving a loy into his head. Flaherty praises Christy for his boldness, and Flaherty’s daughter (and the barmaid), Pegeen, falls in love with Christy, to the dismay of her betrothed, Shawn Keogh. Because of the novelty of Christy’s exploits and the skill with which he tells his own story, he becomes something of a town hero. Many other women also become attracted to him, including the Widow Quin, who tries unsuccessfully to seduce Christy at Shawn’s behest. Christy also impresses the village women by his victory in a donkey race, using the slowest beast.

Eventually Christy’s father, Mahon, who was only wounded, tracks him to the tavern. When the townsfolk realize that Christy’s father is alive, everyone, including Pegeen, shuns him as a liar and a coward. To regain Pegeen’s love and the respect of the town, Christy attacks his father a second time. This time it seems that Old Mahon really is dead, but instead of praising Christy, the townspeople, led by Pegeen, bind and prepare to hang him to avoid being implicated as accessories to his crime. Christy’s life is saved when his father, beaten and bloodied, crawls back onto the scene, having improbably survived his son’s second attack. As Christy and his father leave to wander the world, having reconciled, Shawn suggests he and Pegeen get married soon, but she spurns him. Pegeen laments betraying and losing Christy: “I’ve lost the only playboy of the western world.”

https://en.wikipedia.org/wiki/The_Playboy_of_the_Western_World

by Dylan Thomas

Under Milk Wood is a 1954 radio drama by Welsh poet Dylan Thomas, commissioned by the BBC and later adapted for the stage. A film version, Under Milk Wood directed by Andrew Sinclair, was released in 1972, and another adaptation of the play, directed by Pip Broughton, was staged for television for the 60 anniversary in 2014.

An omniscient narrator invites the audience to listen to the dreams and innermost thoughts of the inhabitants of the fictional small Welsh fishing village, Llareggub.

They include Mrs. Ogmore-Pritchard, relentlessly nagging her two dead husbands; Captain Cat, reliving his seafaring times; the two Mrs. Dai Breads; Organ Morgan, obsessed with his music; and Polly Garter, pining for her dead lover. Later, the town awakens and, aware now of how their feelings affect whatever they do, we watch them go about their daily business.

by William Shakespeare

Richard III is a historical play by William Shakespeare believed to have been written around 1593. It depicts the Machiavellianrise to power and subsequent short reign of King Richard III of England.^[1] The play is grouped among the histories in the First Folio and is most often classified as such. Occasionally, however, as in the quarto edition, it is termed a tragedy. Richard IIIconcludes Shakespeare’s first tetralogy (also containing Henry VI parts 1–3).

It is the second longest play in the Shakespearean canon after Hamlet and is the longest of the First Folio, whose version of Hamlet is shorter than its Quarto counterpart. The play is often abridged; for example, certain peripheral characters are removed entirely. In such instances, extra lines are often invented or added from elsewhere in the sequence to establish the nature of characters’ relationships. A further reason for abridgment is that Shakespeare assumed that his audiences would be familiar with his Henry VI plays and frequently made indirect references to events in them, such as Richard’s murder of Henry VI or the defeat of Henry’s wife, Margaret.

https://en.wikipedia.org/wiki/Richard_III_(play)