Category: Historic Timeline

by Howard Richardson

This perennial favorite is based on the haunting folk ballad of “Barbara Allen.” Employing a large cast and imaginative settings in the Smoky Mountains, it recounts the story of John, a strange “witch boy” who upon first beholding the beautiful Barbara Allen immediately falls in love. He is given human form to woo and marry her on the condition that she remain true to him. The marriage is consummated and Barbara gives birth to a witch child whom the townspeople destroy in a superstitious frenzy. During a religious revival Barbara is led to betray John thus breaking their spell of love. As she dies, he returns forever to the world of the mountain witches.

https://en.wikipedia.org/wiki/Dark_of_the_Moon_(play)

by William Shakespeare

King Lear and the Fool in the Storm by William Dyce (1806–1864) — the depiction of the heath of a popular and critical fallacy of interpretation.[1]
King Lear is a tragedy written by William Shakespeare. It depicts the gradual descent into madness of the title character, after he disposes of his kingdom by giving bequests to two of his three daughters egged on by their continual flattery, bringing tragic consequences for all. Derived from the legend of Leir of Britain, a mythological pre-Roman Celtic king, the play has been widely adapted for the stage and motion pictures, with the title role coveted by many of the world’s most accomplished actors.

The first attribution to Shakespeare of this play, originally drafted in 1605 or 1606 at the latest with its first known performance on St. Stephen’s Day in 1606, was a 1608 publication in a quarto of uncertain provenance, in which the play is listed as a history; it may be an early draft or simply reflect the first performance text. The Tragedy of King Lear, a more theatrical revision, was included in the 1623 First Folio. Modern editors usually conflate the two, though some insist that each version has its own individual integrity that should be preserved.

After the English Restoration, the play was often revised with a happy, non-tragic ending for audiences who disliked its dark and depressing tone, but since the 19th century Shakespeare’s original version has been regarded as one of his supreme achievements. The tragedy is particularly noted for its probing observations on the nature of human suffering and kinship. George Bernard Shaw wrote, “No man will ever write a better tragedy than Lear.”[2]

by Arthur Miller

The Crucible is a 1953 play by American playwright Arthur Miller. It is a dramatized and partially fictionalized story of the Salem witch trials that took place in the Massachusetts Bay Colony during 1692/93. Miller wrote the play as an allegory for McCarthyism, when the United States government persecuted people accused of being communists.[1] Miller himself was questioned by the House of Representatives’ Committee on Un-American Activities in 1956 and convicted of contempt of Congress for refusing to identify others present at meetings he had attended.[2]

The play was first performed at the Martin Beck Theatre on Broadway on January 22, 1953, starring E. G. Marshall, Beatrice Straight and Madeleine Sherwood. Miller felt that this production was too stylized and cold and the reviews for it were largely hostile (although The New York Times noted “a powerful play [in a] driving performance”).[3] Nonetheless, the production won the 1953 Tony Award for Best Play.[4] A year later a new production succeeded and the play became a classic.[5] It is regarded as a central work in the canon of American drama.[6]